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Difference between revisions of "AlphaCom Audio Switching Hardware"

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=== Normal Tones to Stations ===
 
=== Normal Tones to Stations ===
[[Image: Normal Tones to Stations.jpg|left|200px|thumb|]
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Normal tones are all standard tones except Gong and DTMF but including the two muted (attenuated)
 
Normal tones are all standard tones except Gong and DTMF but including the two muted (attenuated)
 
variants. Connection of Tone Generators (1) and Tone Attenuators (2) to Tone Timeslots is done at
 
variants. Connection of Tone Generators (1) and Tone Attenuators (2) to Tone Timeslots is done at

Revision as of 12:58, 10 August 2007

This article contains a brief overview of the hardware involved in audio switching in an AlphaCom Exchange Module.

Audio Switching Hardware Infrastructure Overview

Audio Switching Hardware Infrastructure Overview.jpg

The first figure below shows the core elements of the infrasructure involved in audio switching. (Non-audio elements such as Slave Controllers are not shown. That the Master board also doubles as a Audio Board is not shown here either.) All audio switching is controlled from the software on the Master Controller. It accesses the Audio Switching Control Registers in the SBI through the MBI and the Backplane Data Bus. Each board may have from one to eight SBI’s and each SBI has eight identical “Digital Audio Channels” or “Channels” for short. Audio travels through the system as 1Mbit/s line-switched digital signals. The backplane has 16 bus lines, each with 16 timeslots, giving a total switching capacity of 256 one-way audio signals per Exchange Module. The default modulation is Stentofon-modified 1Msample/s Σ∆-modulation.(Audio with different modulations and synchronous or asynchronous data may be line-switched through the same infrastructure as well.) <br\><br\>

Audio Switching Hardware Infrastructure Overview2.jpg

The structure of each SBI Digital Audio Channel is shown in the figure below. Each of the SubChannel Time/Space Demultiplexers pick out one of the 256 possible signals on the Backplane Digital Audio Bus. The third demultiplexed signal is splitted into 2 signals on the Digital Audio Output. Each of the resulting 4 SubChannels have its separate On/Off control. The Primary (#0) SubChannel has a Fast (≈8ms) Fader instead of a direct switch to provide click-free switching. (The Fader may be bypassed in order to transparently forward audio with different modulations or data by sett ing theTransparent/ Faded Mode switch to Transparent). The Digital Audio Output is 8-way time division (TDM) multiplexed, providing the 4 available Digital Audio Output SubChannels plus 4 channels reserved for future use. The Digital Audio Input is non-multiplexed. It is put onto the Backplane Digital Audio Bus by the Audio Input Time/Space Multiplexer if and when the Audio Input On/Off Switch is set to On. It is possible by setting the Loopback/Normal to Loopback to feed the SubChannel 0 Signal back onto the Backplane Digital Audio Bus.(In order to provide a common feeding/fading point for multiple destinations and/or to provide click-free fading to signals destined for faderless subchannels.) <br\><br\> Sometimes you will see the subchannels identified by their primary use instead of their number. These names are those that look like this in the figure above: «Speech Output». Each of the SubChannel Demultiplexers and the Audio Input Multiplexer is controlled by a value in a separate 8-bit Timeslot Register selecting which Backplane Timeslot to listen to or to drive. Each of the On/Off (and Fade In/Out) controls is controlled by a separate bit in a common Channel Control Register. The two mode settings (Transparent/Faded and Loopback/Normal) are controlled by two bits of the Channel Mode Register.

Structure of Audio Hardware Resources

Structure of Audio Hardware Resources.jpg

The figure below shows the internal structure of all the Audio Hardware Resources. Unused elements, Non-Audio elements and Non-Functional elements are omitted to improve readability. For example the Subchannel Multiplexers and Subchannel Demultiplexers are omitted since they are non-functional and their inclusion would only have decreased clarity and readability. Some minor details are also omitted since they would have confused the big picture more than clarified it. All non-SBI symbols are supplied with names/descriptions. “Amp.” is short for Amplifier. ADC is an acronym for Analog to Digital Conversion. See the «Audio Switching Hardware Infrastructure Overview» section in the «Audio Switching Architecture» part for details on the SBI Channels. If anything still is unclear refer to the System Architecture Descriptions and Hardware Descriptions (and inform the author if you think it should also be better desribed here).

Audio Switching Hardware Interconnection Topologies

The following subsections show briefly how the different Audio Resources are interconnected by the Audio Switching for different applications (uses). Faders and switches are turned on (or faded in) as part of the establishing of the topology and switched off (faded out) at tear-down unless othervise noted. The topology figures of the following subsections are further simplified relative to the structure diagrams for the audio resources above by omitting Modulators/Demodulators, Timeslot Multiplexers/ Demultiplexers and non-vital (in the respective context) audio elements.TS is used to represent a single Timeslot on the Backplane Digital Audio Bus. Faders and Switches are not marked when it is obvious which type they are (by referring to the Audio Resource descriptions). The brackets and signal- or function names show which parts of the topology are established and teared-down by which TO_IF input signals or AS_API functions. (AS_API is described in a separate part later in the document).

Normal Tones to Stations

[[Image: Normal Tones to Stations.jpg|left|200px|thumb] [[Image: Normal Tones to Stations2.jpg|left|200px|thumb] Normal tones are all standard tones except Gong and DTMF but including the two muted (attenuated) variants. Connection of Tone Generators (1) and Tone Attenuators (2) to Tone Timeslots is done at reset time for the sake of simplicity and stay connected until the next reset. It is of cause possible to do this dynamically, but that would only create new problens and solve no old ones. Therefore only connecting and disconnecing Tone Timeslots to/from the (Primary SubChannel of the) Subscriber Line Interfaces (3) is done dynamically. More than one Station (or no Station at all) may of cause receive tone audio from the same Tone Timeslot simultaneously. Muted (attenuated) variants of tones are generated by feeding audio from the Tone Timeslot of the corresponding Non-Muted tone to a Tone Attenuator and from it to a new Tone Timeslot. The dotted line in the figure below shows how the corresponding Non- Muted tone to a Muted tone would have been connected instead. Tone Handling for Normal tones involves nothing but Audio Switching (except for configuring the Dial-Tone Generator at reset (1)).